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Brahms

Brahms - Es ist ein 'Ros' entsprungen for Trombone Choir

MarshallTRogers

1:01	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Trombone	18	0	6	5	100%
Bass Trombone	15	0	1	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Trombone	18	6	5	100%
Bass Trombone	15	1	5	100%
Tenor Trombone I	16	4	4	100%
Tenor Trombone II	18	6	5	100%
Optional Tuba	14	2	4	77%

Brahms, Johannes - 9 Lieder und Gesänge Op.63 No.5 - Junge Lieder I

Vinckenbosch

1:26	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	21	42	7	7	90%
	31	10	10	3	100%
Singstimme Voice	14	0	4	5	78%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	21	42	7	7	90%
	31	10	10	3	100%
Singstimme Voice	14	0	4	5	78%

Brahms - Es ist ein 'Ros' entsprungen in C Major for Low Brass Choir

MarshallTRogers

1:01	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	18	0	6	5	100%
Tenor Trombone I	18	0	6	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	18	6	5	100%
Tenor Trombone I	18	6	5	100%
Tenor Trombone II	16	4	4	100%
Tuba	15	1	5	100%

Brahms Johannes 8 Lieder and Romances Op 14 No 3 Murrays Ermordung

fredipi

1:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	29	50	8	7	96%
	26	17	5	8	99%
Singstimme Voice	13	0	2	7	76%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	29	50	8	7	96%
	26	17	5	8	99%
Singstimme Voice	13	0	2	7	76%

Brahms Johannes 6 Songs Op 7 No 5 Die Trauernde

fredipi

1:12	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	13	16	2	2	96%
	23	21	3	2	96%
Singstimme Voice	9	0	1	4	94%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	13	16	2	2	96%
	23	21	3	2	96%
Singstimme Voice	9	0	1	4	94%

Brahms 6 Gesange Op.3 #3 Liebe und Frühling II for Strings Orchestra

negiwo

1:20	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	19	0	5	6	91%
Violoncello	19	2	7	6	85%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	19	0	5	6	91%
Violoncello	19	2	7	6	85%
Violins 2	20	3	8	6	83%
Viola	19	3	6	7	80%
Contrabass	11	1	3	5	63%

Brahms Johannes 8 Lieder und Gesange Op 58 No 2 Wahrend des Regens

Vinckenbosch

1:18	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	31	60	11	5	94%
	40	39	15	3	100%
Singstimme	14	0	6	4	88%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	31	60	11	5	94%
	40	39	15	3	100%
Singstimme	14	0	6	4	88%

Brahms Johannes 8 Lieder and Romances Op 14 No 2 Vom verwundeten Knaben

fredipi

1:21	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	19	41	7	3	94%
	26	6	7	3	93%
Singstimme Voice	12	0	3	5	91%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	19	41	7	3	94%
	26	6	7	3	93%
Singstimme Voice	12	0	3	5	91%

Brahms – Symphony No. 4 - Trombone 3 (Bass) - Excerpt 1

Lexcerpts

1:14	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	0	4	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	0	4	4	100%

Brahms, Johannes - 8 Lieder und Gesänge, Op.59, No.6 - Eine gute, gute Nacht

OpenScore LiederCorpus

1:00	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	18	10	5	91%
	31	24	9	3	84%
Voice	13	0	4	5	66%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	18	10	5	91%
	31	24	9	3	84%
Voice	13	0	4	5	66%

Brahms - Zigeunerlieder opus 103 - No. 5

Jwagner

1:10	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	33	4	6	100%
	24	7	4	5	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	33	4	6	100%
	24	7	4	5	98%
Alto	12	0	2	5	69%
Bass	9	0	0	5	69%
Soprano	12	0	1	5	69%
Tenor	9	0	1	5	69%

Brahms - Zigeunerlieder opus 103 - No. 2

Jwagner

1:12	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	39	6	4	88%
	31	30	12	4	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	39	6	4	88%
	31	30	12	4	98%
Alto	11	0	3	4	89%
Bass	15	0	5	4	89%
Soprano	14	0	3	4	89%
Tenor	13	0	2	4	89%

Brahms - Zigeunerlieder opus 103 - No. 6

Jwagner

1:07	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	31	6	4	70%
	26	28	4	4	97%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	31	6	4	70%
	26	28	4	4	97%
Tenor	11	0	3	4	85%
Alto	10	0	2	3	72%
Soprano	11	0	2	4	72%
Bass	8	0	0	2	59%

Brahms - Zigeunerlieder opus 103 - No. 7

Jwagner

1:25	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	23	6	6	89%
	22	5	2	7	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	23	6	6	89%
	22	5	2	7	100%
Tenor	14	0	2	4	92%
Alto	11	0	2	4	46%
Bass	14	0	2	4	46%
Soprano	13	0	2	4	46%

Brahms - Zigeunerlieder opus 103 - No. 11

Jwagner

1:16	Est. Play Time
76	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	49	9	4	100%
	32	36	7	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	49	9	4	100%
	32	36	7	4	100%
Tenor	16	0	4	4	84%
Alto	12	0	6	4	46%
Bass	13	0	0	4	46%
Soprano	15	0	2	4	46%